Null Rhythm

FOUR CLASSIC TOOLS, ONE BOX

Null Rhythm is four well-worn ways to move a sound, wired into one plugin that stays out of your way.

Underneath it's a tremolo, a vibrato and a Euclidean rhythm sequencer — tools producers have reached for forever. We put them behind one set of controls, gave them per-band processing, and made the whole thing lock to your session or run completely free of it.

Pick a mode, shape the movement, watch it happen in the display. No modulation matrix, no menu-diving, no twelve hidden pages hiding the one knob that matters.

Keep it gentle and you get the kind of precise, organic motion that makes a pad breathe, a guitar swell or a vocal shimmer. Push it — split the signal into three bands and hand each one a different mode — and it stops being an effect you put on a sound and becomes the thing that rebuilds it.

THREE MODULATION MODES

01 · CLASSIC

CLASSIC

Straight-up tremolo. Rate and Depth, and not much standing between you and the sound.

Run it free from a slow sway to a fast flutter, or lock it to the host for clean divisions from two bars down to 1/32. Smooth sine for rounded motion, or a harder shape for a sharper rise and fall.

02 · RHYTHM

RHYTHM

A Euclidean sequencer wired straight to volume. It spreads your pulses evenly across the bar, so the grooves come out tight but never obvious.

Set the number of pulses, rotate where they land, dial the amount and choose a pattern length from 1/4 bar to eight bars. The display shows the pattern before it touches your audio — and with sync on, it stays glued to the session.

03 · VIBRATO

VIBRATO

The same immediate feel, aimed at pitch instead of volume.

Sine for a fluid wobble, the sharper shape for something stiffer and more mechanical — anywhere from tape-style drift to full synthetic seasick.

FULL-BAND OR MULTIBAND

Run Null Rhythm flat across the whole signal, or flip on Multiband and carve it into Low, Mid and High.

Drag the two crossovers wherever you want them, then treat each band like its own plugin — low end pulsing slow, mids running a Euclidean pattern, highs shivering at a completely different rate.

That's where it earns its keep: complex, interlocking movement from one window, instead of three plugins and a modulation chain held together with hope.

VARIATION

One macro for multiband Rhythm mode.

Turn it up and it fans your Euclidean settings out across the three bands — the low end stays simple while the upper bands get busier and more alive. Coordinated, evolving variation, without hand-programming three separate patterns.

SEE WHAT YOU HEAR

The central display follows the mode.

Classic and Vibrato show the wave and how it's moving; Rhythm shows the pulse pattern and its musical length. Everything updates the instant you touch a control, so even the complicated patches are something you can read with your eyes, not just chase with your ears.

24 FACTORY PRESETS

Twenty-four starting points, from barely-there to fully rearranged:

Subtle pad and vocal movement
Guitar tremolo
Bass-conscious modulation
Three-, five- and seven-pulse rhythms
Syncopated and triplet patterns
Multiband polyrhythms
Midrange and high-band animation
Synth chopping and glitch effects
Cinematic pulses and tension
Complex three-band movement

Load one, then grab any control on screen — there's no separate editor to dig into.

WHY IT'S DIFFERENT

Most tremolos stop at rate and depth. The big modulation systems can do anything — and make you build it from scratch every single time.

Null Rhythm sits in the gap between them.

Synced and free-running tremolos and vibratos, a Euclidean volume sequencer, three independent bands — none of it is new on its own. Wire it all together across the full frequency range and you get movement that adds up to far more than its parts: rhythmic, organic, and a little alive.